彭加瑾:这两部作品都体现了一种阳刚之气。《风雪桅杆山》作为第一部反映广播电视战线职工、干部的作品,着力描绘了他们的奉献精神,在情境、描写和电视语言的使用上十分出色,比如风雪之夜的描写,绝不止是自然风光,而带有象征性。作品结构也十分巧妙,三条线索交融在一起,缺点是在感情交流上写得不很充分。 《河弯弯、路弯弯》紧紧围绕着反腐倡廉与现代化建设的关系来写,生活的整体感很强,既严正地坚持了原则,反对腐败,又歌颂了发展变化的生活;作品的人物形象刻画也比较准确,李书记真抓实干,没有多少豪言壮语,是一个典型的农村干部形象;乡长有点油滑,也有点软弱,贾书记则满嘴都是马列,在生活中并没有 Peng Jiajin: Both of these works embody a masculinity. As the first piece of work to reflect the workers and cadres on the radio and television front, the “Snow Mast Hill” painstakingly delineated their dedication and excellent use of context, description and television language, such as the description of the snowy night, More than just natural scenery, but symbolic. The structure of the work is also very clever, three clues together, the disadvantage is not fully written in the emotional exchange. “River bend, road bend” closely around the relationship between anti-corruption and the promotion of modernization to write, the overall sense of life is very strong, both solemnly adhere to the principles, oppose corruption, but also praised the development of a changing life; work Characterization portraits are more accurate, Secretary Li really hardworking, not much rhetoric, is a typical image of rural cadres; the mayor a bit slippery, but also a bit weak, Jia Shuji is full of Marxism-Leninism, in life did not